Tag Archives: MFT Gallery

Belfast Holiday Art Walk and Artist Talks

Artists featured in our current exhibit, HOMELAND, will give talks that will coincide with the Belfast Holiday Art Walk on Friday, December 7th at 5pm, with a reception following from 5:30-8pm.

HOMELAND will be up in our Belfast Gallery from November 12th, 2018 through March 1st, 2019. For more information on the show, read here.

HOME/LAND: A multimedia exhibit

HOMELAND

Through an open call, MFT Gallery invited farmers, artists, artisans and writers living in Maine, from diverse social-economic, ethnic and cultural backgrounds, to create art, craft or poetry which reflects on their unique relationship to home/land.

MFT Gallery asked that the works submitted “speak to a deep relationship which comes from cultivating the land, or a longing for connection with the land.” Art and poetry selected for the final exhibition includes work by farmers/artists which expresses the relationship with the land they cultivate; work by farmers/artists who have been separated from home/land in some way and are cultivating a new relationship to the land they are on; and work by those who are longing for a renewed relationship to home/land.

MFT will host the exhibit at its Gallery in Belfast from November 12, 2018 through March 1, 2019.

Art talks and reception will coincide with Belfast’s Holiday Art Walk, Friday December 7th: art talks at 5pm, opening and art walk 5:30-8pm.

HOMELAND: A multimedia exhibit exploring our collective and diverse relationship to home/land

MFT Gallery’s new exhibit HOMELAND speaks to a deep relationship that comes from cultivating the land, and a longing for connection with the land. This open call exhibit was promoted and curated in collaboration with GEDAKINA, Inc., a multigenerational endeavor to strengthen and revitalize the cultural knowledge and identity of Native American youth and families from across New England, and to conserve traditional homelands and places of historical, ecological and spiritual significance.

The first floor of the gallery features sixteen artists from varied backgrounds that seek to explore their relationship to home and land in a wide variety of mediums and styles.

Arlene Claudill Hulva’s colored pencil figurative landscape integrates New England and Latin American panoramas.

A vibrant Medicine Wheel painting by Mihku Paul-Anderson incorporates elements from the Waponaki culture and symbols from the natural world, while Maureen Block uses a 20th century ironing board as her painting surface for her work “Uprooted, Unrooted, Rerooted,” that depicts writhing roots in bold reds and yellows.

In two very different interpretations of Grant Woods’s iconic painting “American Gothic”, Colette Shumate Smith’s mixed media self-portrait reminds us to be vigilant of changing attitudes toward the land; and Bill Robitzek’s acrylic painting “Bowdoinham Gothic: Sarah and Laura” depicts a modern farm couple that is self-sufficient, and socially-conscious.

Liz McGhee’s gelatin plate monotypes use a palette of blues, grays, purples, and browns with shapes and line that depict her intuitive wanderings through minimalistic landscapes.

Patricia Ranzoni, Bucksport’s 2014 Poet Laureate, contributes three lyrical, flowing poems on the greater longing for ancient home ground and the yearning of displaced peoples for their place on Earth.

Gabrielle Brown’s five copper, graphite and canvas woven baskets are based on Shaker designs. Elizabeth Hunter has created a grouping of rya pillows, an ancient Nordic woven pile technique, which speak to human’s connection with the seasons.

Kathy Pollard will be displaying a large piece of birch bark with inscribed and painted Maine Indian petroglyph reproductions, and a beautiful sculpture “Corn Mother,” made with glass beads and moose antler.

A mixed media installation by Thér̀ese Provenzano incorporates objects to invoke memories of childhood and change, while Constant Albertson will have two ceramic sculpture pieces on display with themes of water awareness.

Color photographs by Christina Gessler, Emily Davis, and Karyn Marden depict varied subjects, such as quintessential views of life on a farm, organically found picture rocks, and images of the Casco Bay area.

Karen Merritt’s gelatin silver prints portray the beauty in urban gardens of Portland in black and white.

MFT will host the exhibit at its Gallery in Belfast from November 12, 2018 through March 1, 2019. Artist talks will coincide with the Belfast Holiday Art Walk on Friday, December 7th at 5pm, with a reception following from 5:30-8pm. 

I Went to the Animal Fair – Finding Common Ground Art Show

MFT Gallery’s new show, I Went To the Animal Fair: Finding Common Ground, features Belfast artist Kerstin Engman’s oil paintings on the first floor, with works by Andre Benoit, Frances Hynes, Leslie Moore, and Julie Cyr on the second floor.

Kerstin’s works for this show are inspired by the animals, goods, and people at the Common Ground Fair Country Fair. To create her signature style, she applies paint in layers of darks, lights, and color to add texture and depth to the pieces. For some of her pieces she uses stencils and modeling paste to create non-representational patterns that form the texture of backgrounds and individual parts of the painting. “Specific design elements and color are the foundation of my recent studies, incorporating repetition, swaths of color, grids, dots, angles, shapes, and overlaps,” Kerstin said of her work. The quintessential paintings depict handsome roosters in their grid-like wire cages and sheep and cows in darkened stalls with light streaming in through windows. Gourds and other vegetables with beautiful cast shadows, skeins of dyed yarn and bundles of lavender, and the fair-goers under tents and at the vendor stands all contribute to the light-filled atmosphere of the classic fair.

On the second floor of the gallery there are works from Andre Benoit, an abstract assemblist sculptor from Boothbay Harbor, who creates fanciful animal forms and iconic motifs with repurposed, painted and assembled wooden remnants. Frances Hynes, a New York artist with many ties to Maine, will display her lyrical watercolors, depicting simplistic farm landscapes with gamboling cows and paddling ducks. Rounding out the artists in the show, both from Belfast, are Leslie Moore, with work including a stippled pen and ink drawing of pigs playing in a puddle, and Julie Cyr, whose oil paintings of animals reflect her inspiration in the wonder of daily life and the light and shapes that arise from the simple scenes around her.

I Went To the Animal Fair: Finding Common Ground runs from September 10th– November 2nd, with artist talks Friday September 28th at 5pm, followed by a reception and the town-wide Belfast Art Walk from 5:30-8pm.

I Went to the Animal Fair: Finding Common Ground

MF’s Gallery’s new show, I Went To the Animal Fair: Finding Common Ground, features Belfast artist Kerstin Engman’s oil paintings on the first floor, with works by Andre Benoit, Frances Hynes, Leslie Moore, and Julie Cyr on the second floor.

Kerstin’s works for this show are inspired by the animals, goods, and people at the Common Ground Fair Country Fair. To create her signature style, she applies paint in layers of darks, lights, and color to add texture and depth to the pieces. For some of her pieces she uses stencils and modeling paste to create non-representational patterns that form the texture of backgrounds and individual parts of the painting. “Specific design elements and color are the foundation of my recent studies, incorporating repetition, swaths of color, grids, dots, angles, shapes, and overlaps,” Kerstin said of her work. The quintessential paintings depict handsome roosters in their grid-like wire cages and sheep and cows in darkened stalls with light streaming in through windows. Gourds and other vegetables with beautiful cast shadows, skeins of dyed yarn and bundles of lavender, and the fair-goers under tents and at the vendor stands all contribute to the light-filled atmosphere of the classic fair.

On the second floor of the gallery there are works from Andre Benoit, an abstract assemblist sculptor from Boothbay Harbor, who creates fanciful animal forms and iconic motifs with repurposed, painted and assembled wooden remnants. Frances Hynes, a New York artist with many ties to Maine, will display her lyrical watercolors, depicting simplistic farm landscapes with gamboling cows and paddling ducks. Rounding out the artists in the show, both from Belfast, are Leslie Moore, with work including a stippled pen and ink drawing of pigs playing in a puddle, and Julie Cyr, whose oil paintings of animals reflect her inspiration in the wonder of daily life and the light and shapes that arise from the simple scenes around her.

I Went To the Animal Fair: Finding Common Ground runs from September 10th– November 2nd, with artist talks Friday September 28th at 5pm, followed by a reception and the town-wide Belfast Art Walk from 5:30-8pm.

Let's grow a bright future for farming in Maine, together.

August Belfast Fourth Friday Art Walk

For those who can’t make it to the gallery during 8am-4pm weekday hours, come by and see our Summer Stable show 5:30-8pm while we are open late for the Belfast Fourth Friday Art Walk.

Popular “Summer Stable Show” at MFT Gallery

MFT’s Gallery’s annual Summer Stable Show is a favorite with returning art-lovers and summer visitors alike. This is the gallery’s largest, most vibrant group show that showcases twenty-two Maine artists this year, whose work connects to agriculture, nature or environment. This year includes first time exhibitors Sara Gagan and Susan Sidwell.

The first floor features a large, dynamic, abstract mixed-media piece from a series on rhythms in nature, by Belfast’s Kathryn Shagas; beautiful bright photographs of local landscapes printed on aluminum by Sarah Szwajkos; and a colorful collection of small paintings entitled “Artifacts” by Portland’s Christopher O’Connor. Contemplative figurative works by sculptor Elizabeth Ostrander create a synergy with the beautiful large goddess image, “Oracle,” an intricate scherenschnitt paper cut created by MJ Viano Crowe. The evocative paintings of Sheep Jones, another Belfast artist, contribute strong color, content, and design in her series of “Bulb Narrative” and “Fish Walker.” Sara Gagan’s images of animals are a delightful and inventive use of oils and collage elements. John Arden Knight’s large acrylic paintings of water lilies and milkweed are bold and vibrant, while Leslie Harris and Leslie Anderson present wonderful atmospheric paintings of landscapes and figures. Jude Valentine’s series of small brilliant pastels depict the many views and moods from Great Cranberry Island to Acadia. Paintings by Leslie Bowman, Julie Cyr, and Sharon Yates round out this collection with varied natural subject matter, such as a charming chick, engaging peas in a pod, and rich tulip still lifes.

The second floor displays the photographs of Terry Hire, Lynn Karlin, and Jim Nyce, all with very different subject matter, mood, and use of color.  Lou Schellenberg impresses with oil paintings of strong, imposing landscapes and sky with vigorous compositions. DiTa Ondek’s paintings of laundry fluttering on a clothesline in the wind create a colorful sense of energetic movement, while Kathleen Perelka’s lovely use of light and color accentuate a cultivated farm landscape. Robin Rier’s oil paintings incorporate vivid colors in tranquil scenes of flowers, peeling paint and old fence posts. The bug and rosehip mandala paper cut prints of Susan Sidwell draw you in for a closer look with their intricate design work.

The Summer Stable Show 2018 runs from June 4th through August 31st, with artist talks Friday July 27th at 5pm, followed by a reception and the town-wide Belfast Art Walk from 5:30-8pm.

Image above:

A Perfect Day, Leslie Harris, oil on linen panel, 20 x 16 in.

Let's grow a bright future for farming in Maine, together.

Call for Farmers/Artists/Artisans/Writers To Participate

HOMELAND

A multimedia exhibit exploring our collective and diverse relationship to home/land.

MFT Gallery invites farmers, artists, artisans and writers living in Maine, from diverse social-economic, ethnic and cultural backgrounds, to create art, craft or poetry which reflects on their unique relationship to home/land.

We are particularly interested in works that speak to a deep relationship which comes from cultivating the land, or a longing for connection with the land. For example, we invite work by farmers/artists which expresses the relationship with the land they cultivate; we invite work by farmers/artists who have been separated from home/land in some way and are cultivating a new relationship to the land they are on; we invite work by those who are longing for a renewed relationship to home/land.

Maine Farmland Trust will host the exhibit at its Gallery in Belfast from November 12, 2018 through March 1, 2019. This exhibit is promoted and curated in collaboration with GEDAKINA and several other organizations.

Depending on the number of participants, up to three pieces per artist/writer will be exhibited. If there are more submissions than gallery space, final selections will be made by a panel. The objective is to have all who submitted work included.

 

THE SCHEDULE FOR SUBMISSIONS IS AS FOLLOWS:

By July 15, 2018: Contact Anna Witholt Abaldo, MFT Gallery Curator (anna@mainefarmlandtrust.org), phone 338-6575 X 112) to let us know your intent to participate, stating medium/type of work.

By August 15, 2018: Submit up to 5 digital images of proposed work to Anna Witholt Abaldo (anna@mainefarmlandtrust.org).  For each image, please include title, media, and dimensions. Photos can be of work in progress. Please add a brief artist statement/bio to accompany exhibited works.

September 15, 2018: Notification to participants confirming how many pieces will be included.

November 5-6, 2018: Works must be delivered to Maine Farmland Trust Gallery.

November 5-9, 2018: Exhibit will be hung.

November 12, 2018: Exhibit opens.

November 16, 2018, from 5-7pm: Artist reception with artist talks by those who wish to speak about their work, at 5pm. There can be room for song and poetry reading as well.

March 1, 2019: Exhibit comes down and works are available for pick-up.

Any questions about exhibition and submission details can be directed to Anna Witholt Abaldo, phone 338-6575 X 112)

Let's grow a bright future for farming in Maine, together.

MFT Announces 2018 Joseph A. Fiore Art Center Residency Awards

Early this April, a jury panel consisting of Stuart Kestenbaum, Susan Larsen and Ariel Hall awarded eight recipients with a 4-6 week residency at MFT’s Fiore Art Center at Rolling Acres Farm in Jefferson.

In its third year, the Center received 66 applications for its summer arts residency program. The categories included visual arts, literary arts and performing arts. This year one residency placement was reserved for an indigenous artist and one for an international or out-of-state artist.

About the Artists in Residency

Thu Vu, from Vietnam, was awarded the international visual arts residency. Vu first came to Maine from Hanoi Fine Arts College in 1998 as an exchange student; she attended Maine College of Art in Portland. Vu creates light sculptures made out of paper and natural materials. Her work has been exhibited throughout Asia, Europe and the USA.

Light Sculpture by Thu Kim Vu

The remaining five visual arts residencies were awarded to:

Carol Douglas: Douglas grew up on a farm and describes herself as a plein-air landscape painter whose primary interest lies in the relationship between humans and their environment.

“Finger Lakes Vineyard” by Carol Douglas

Clif Travers grew up in the mountains near Sugarloaf. One of his current bodies of work, The Medicine Cabinets, grew from three years of interviews with people around the country. Travers asked each person: “What would you consider to be a social malady that could be easily cured by regular folk?” The resulting “cabinets” are all connected to nature and show the malady, as well as the imagined cure.

Medicine Cabinet by Clif Travers

Michel Droge: Droge is an abstract painter—her work reflects a poetic connection to the land, climate change research and the philosophy of the sublime.

“Breathing Lessons” by Michel Droge

Estefani Mercedes: Mercedes is an activist artist with deep connections to Maine. She is interested in local Brooksville archives that connect to the Argentine dictatorship. Through radical justice, film photography and copyright law, she hopes to restore missing violent histories and silenced voices by building publicly accessible archives.

Untitled by Estefani Mercedes

Maxwell Nolin: Nolin is a young emerging portrait painter who most recently made a living as an organic vegetable farmer. His portraits often feature fellow farmers; however, he writes, “I have yet to fully immerse my subjects in the natural landscape. This seems to be where my interest lies and where my work is heading.”

“Toot and Roger Raw” by Maxwell Nolin

Literary Arts and Performing Arts Residents

The Fiore Art Center’s literary arts residency was awarded to Maine writer, Jodi Paloni. Paloni is currently working on her second book, a novel-in-stories, which takes place in the sixties and seventies on a farm similar to the Center’s Rolling Acres Farm, and tracks three Maine women from their girlhood to contemporary midlife.

Jodi Paloni

The performing arts residency was allocated to Heather Lyon. Lyon was born on a farm in Maine. Her art practice is site responsive and she plans to create new performance work at the Fiore Art Center, “responding to this unique place where the connections between art and farming can be explored and lived.”

View “MILK” by Heather Lyon here.

Heather Lyon

Resident Gardiner: Rachel Alexandrou

Each year, the Center hires a seasonal resident gardener, who lives on the farm for five months and grows food for the residents. “We’ve been lucky to find gardeners who also have their own creative practice, and enjoy being immersed in our residency program setting,” says Anna Witholt Abaldo, co-director of the Fiore Art Center. This year’s gardener will be Rachel Alexandrou, from Alna. Her organic gardening experience spans a decade, and she is currently completing her bachelor’s degree in sustainable horticulture at UMaine, Orono, with a minor in studio art.

“Kale in Decay” by Rachel Alexandrou

Those interested can find more information on application details, summer visitor hours and open studio dates here.

About the Joseph A. Fiore Art Center at Rolling Acres Farm

The mission of the Joseph A. Fiore Art Center at Rolling Acres Farm is to actively connect the creative worlds of farming and art making. The Center’s purpose is to continue and evolve the dialogue between human and environment within the context of our current culture and time. The Center offers exhibitions and public educational events, engages in research and development of new farming practices and hosts residencies for artists on a working farm in Jefferson, Maine. The Fiore Art Center is a program of MFT. The late Joseph Fiore was an artist and active environmentalist who, with his wife Mary, generously supported MFT for many years.

Let's grow a bright future for farming in Maine, together.

Summer Stable Show 2018

Belfast. Maine Farmland Trust Gallery’s annual Summer Stable Show is a favorite with returning art-lovers and summer visitors alike. The gallery’s largest, most vibrant group show, showcases twenty-two Maine artists this year, whose work connects to agriculture, nature or environment, including first time exhibitors Sara Gagan and Susan Sidwell.

The first floor of the gallery features a large, dynamic, abstract mixed-media piece from a series on rhythms in nature, by Belfast’s Kathryn Shagas; beautiful bright photographs of local landscapes printed on aluminum by Sarah Szwajkos; and a colorful collection of small paintings entitled “Artifacts” by Portland’s Christopher O’Connor. Contemplative figurative works by sculptor Elizabeth Ostrander create a synergy with the beautiful large goddess image “Oracle,” an intricate scherenschnitt paper cut created by MJ Viano Crowe. The evocative paintings of Sheep Jones, another Belfast artist, contribute strong color, content, and design in her series of “Bulb Narrative” and “Fish Walker.” Sara Gagan’s images of animals are a delightful and inventive use of oils and collage elements. John Arden Knight’s large acrylic paintings of water lilies and milkweed are bold and vibrant, while Leslie Harris and Leslie Anderson present wonderful atmospheric paintings of landscapes and figures. Jude Valentine’s series of small brilliant pastels depict the many views and moods from Great Cranberry Island to Acadia. Paintings by Leslie Bowman, Julie Cyr, and Sharon Yates round out this collection with such varied natural subject matter as a charming chick, engaging peas in a pod, and rich tulip still lifes.

The second floor displays the photographs of Terry Hire, Lynn Karlin, and Jim Nyce, all with very different mood, use of color, and subject matter.  Lou Schellenberg impresses with oil paintings of strong, imposing landscapes and sky with vigorous compositions. DiTa Ondek’s paintings of laundry fluttering on a clothesline in the wind create a colorful sense of energetic movement, while Kathleen Perelka’s lovely use of light and color accentuate a cultivated farm landscape. Robin Rier’s oil paintings incorporate vivid colors in tranquil scenes of flowers, peeling paint and old fence posts. The bug and rosehip mandala paper cut prints of Susan Sidwell draw you in for a closer look with their intricate design work.

The Summer Stable Show 2018 runs from June 4th through August 31st, with artist talks Friday July 27th at 5 pm, followed by a reception and the town-wide Belfast Art Walk from 5:30-8 pm.

Maine Farmland Trust Gallery, located at 97 Main Street, Belfast, is open Monday through Friday from 9am-4pm, and Saturdays 10am -2pm through the summer. More information can be found at www.mainefarmlandtrustgallery.org.

Maine Farmland Trust is a statewide, member-powered nonprofit working to protect farmland, support farmers, and advance farming. Maine Farmland Trust created its gallery to celebrate agriculture through art, and to inspire and inform the public about farming in Maine. For more information on the Trust visit www.mainefarmlandtrust.org.

Let's grow a bright future for farming in Maine, together.