The history of farming in Maine is rich, bountiful, creative, and diverse, as is the…
(Belfast, ME) When it comes to photography, couples Ralph & Kathryn and Margaret & Drew are two peas in a (tri-)pod. For both pairs, being photographers together is a core part of their relationship – not unlike farming is to many farming couples. The new exhibit at Maine Farmland Trust Gallery features a selection of each of these four photographers.
Two by Two: Two Couples, Four Photographers will be on display from November 7, 2016 through January 6, 2017. There will be an artist talk with all four photographers on Friday November 18, from 4:30 to 5:30 pm, followed by a reception from 5:30 to 8:00 pm.
Kathryn and Ralph
Kathryn has been an artist her whole adult life. She met Ralph when he contacted her to collaborate on a photo series in May 2013. It was a dance series and she participated as the subject. Shortly thereafter they became good friends and eventually fell in love. “Ralph inspired me to step behind the lens myself,” says Kathryn. “So we continue to bounce ideas off each other, share critiques but we pursue our own projects independently.”
Ralph was born in West Germany and studied European literature in Germany and France. He immigrated to the United States in 2002. He is a self-taught photographer who regularly presents his work in national and international shows.
“Kathryn and Ralph both often work in black and whites, and their images are rather dream-like,” says Anna Witholt Abaldo, curator of MFT Gallery. “But that is where the resemblance stops. There is a definite difference in feel, which completely echoes their individual spirit. Kathryn’s works – especially her encaustics – have an ephemeral, wispy, whimsical quality that pulls us into imaginary worlds filled with voices of flowers and wind-swept grass. Ralph’s work can be both beautiful and haunting at the same time. It strikes me as truly European: born from a philosopher’s soul, he mixes equal parts of the same dark and dripping angst found in Rilke’s poems with raw and unexpected beauty. The resulting images quiver with melancholy longing.”
Margaret and Drew
Margaret and Drew typically photograph and exhibit together. “We often spend several hours working at the same location—it could be an old farm, an abandoned mill site, or perhaps an historical building,” Margaret says.
Margaret was not a photographer when they met, but Drew was. “I would come along when he was taking pictures,” says Margaret. Drew proceeded to give Margaret a camera. “I had liked photography in my childhood – but I was always interested in abstract stuff, and was told I was taking the wrong kind of pictures!”
A common thread in their work is their interest in the still-visible remainders of Maine’s 19th and early 20th century history. Abandoned machinery from farms and factories, evolving rural landscapes, and even libraries of vintage books are all viewed with a contemporary sensibility.
“Margaret and Drew know how to do justice to the beauty and personality of all things old,” says Anna Witholt Abaldo. “Looking at their work I sense a stillness and emptiness, like time has momentarily stopped.”